technical rider

type	front	monitors
desk	24 | 8 | 8 | 2	24 | 8 [possible monitor control from front desk - see with nicolas]
control	1 equaliser 2 x 31 [no yamaha 2031!]	2 equalisers 2 x 31 [insert] [no yamaha 2031!]
effects	1 x pcm 70-90-91 [one of the previous] 2 spx 990 [no 900!] delay d-two tc electronic 1 x avalon VT 737 sp 7 compression channels
speakers	depending on the venue < sub bass essential >	6 identical monitors on 3 different channels

< the mixing desk will be situated inside the concert hall at floor level
[not in a distant or isolated control room, for example] >

meyer | c heil | nexo prefered
< sub bass essential >

stage back

public

	source	microphones DI boxes	insert
1 2 3 4 5 6 7 8 9 10 11	bass vielle à roue L vielle à roue R guitar [takamine 1] guitar [takamine 2] mandocello vocals [bass] vocals gabriel piano 1 piano 2 piano 3	di box di box di box di box di box di box beta 58 a beta 58 a km 184 km 184 km 184	comp     comp comp comp comp avalon vt 737 sp stereo comp inserted on sub groups stereo comp inserted on sub groups stereo comp inserted on sub groups

the promoter will provide:
appropriate stage lighting
an acoustic piano [tuned on the day of the concert]
one bass amp [trace eliott preferably] if the monitoring system doesn't stand as required
2 electric outlets on stage
5 tall boom stands for microphones
4 bottles of plain mineral water on stage
a comfortable equiped dressing room with towels, light drinks and snacks
a table for CD sales

in doubt, please contact my soundman